“For
there can be no bridge without the shore”
And I cannot speak the shades
Of blackberry violet into the eyes the blind,
Nor can I transcribe
the tones of birdsong into the ears of the deaf.
Tell me, can you speak
the roar of the wind
onto the skin of the stillborn child? or convince her that she lived in
a world
where sunrises and the moon are real
things
And
make her to see the silver and amber of their morning and midnight sheens?
I
like to think of myself as weaver of words,
A forge of phonetic ore.
But
words like to be unwieldy things,
signposts wedged
in the gap
between Thing and it signifying Shadow,
And
I find that the thick rippling scars
Where I’ve welded them together
Cannot always be polished out,
And that I’m gracefully constrained
To be not a creator
But merely a re-arranger.
Words are bridges in need of a shore.
Their burdens are keyholes
In a bolted cedar wood door,
And for keyholes, we have, for making more, poems for shotguns.
But, no matter how many poetically gunpowdered
keyholes
I arrange into these doors,
I cannot seem to say what I see — do you see what I’m saying?
Of course, I know that you do
but do
you see what I see?
There is One who’s words rumble
with undertones of reality,
swallowing that abyssal gap called blindness
resounding
visceral and honey thick,
sounding
more violet than the one on my lips and on this page.
Let us see they are our only hope.
Let them raise beaches from the bottom of
the sea.
—
Elijah Marshall
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